The only way to see how beautiful an architectural building looks like or how artistically a company’s interior is designed is by being there; and if you can’t do that, then well-shot photographs are the next best thing.
With thousands of photographs being uploaded on the Internet daily, it’s hard to make yours stand out. If done correctly, and with the help of experienced professionals, then your pictures can actually outshine those of others.
To sum it up, architecture and interior photography are a work of art. With that said, let’s discover the ways to get a winning shot:
- Use your Eyes before you Use your Camera
A professional architecture and interiors photographer will always see places through their eyes first and that usually takes the form of shooting the building with the client on a scout. With the guidance of the Designer, he’ll find the views of the building that have the most iconic design forms.
Then he’ll shoot a few different angles of these sections to be sure he has the boldest view. These images will be used by both him and the Client to see whether or not certain views would look better with people, additional lighting or props, or that require special attention like needing to turn on a fountain that might otherwise be off during morning light.
According to Sukhmeet Dhillon, every detail has to be taken into account. For instance, one crooked frame on the wall or a crooked lampshade might not look so flawed through your eyes, but in the final result, that single imperfection can make the whole photograph a failure.
- Lighting is Camera’s Best Accomplice
While capturing a scene under the sun might not need special attention, when it comes to interior photography, proper lightening is all that matters.
As a photographer, one has to be extra attentive to the light, the balance of its brightness, color, and quality as it can intensify certain textures while putting other areas into darkness. Lighting can be manipulated by photographers by augmenting with an additional strobe or hot lights and sculpting the light with black flags and other similar tools.